|
|
Who would benefit from cochlear implant ?
One with a profound
sensory neural deafness as determined by audiological evaluations.
One who does not
benefit from the most powerful hearing aid subsequent to optimisation of hearing
aid trial and fitting.
One with no medical contraindication for surgical
implantation of the electrodes.
If, in children with access to facilities for extensive
speech and language therapy to develop auditory skills and speech
development.
One with a high degree of motivation and appropriate,
realistic expectations.
The major factors contributing to the success of a
cochlear implant are:
The length of profound deafness prior to the implantation.
This probably is related to the memory for sound.
The development of
speech and language skills before acquiring deafness. Clinically, it has been
demonstrated that people who have normal speech and acquired deafness
subsequently (post-lingual deaf) do better with cochlear implants than those who
are born deaf with non-development of speech (post-lingual deaf). However,
studies on pre-lingual deaf implantees have shown satisfactory results, if the
implantation is done at an earlier age (critical to the development of speech
and language skills) and supplemented with adequate speech therapy.
The number of functioning
nerves in the inner ear.
The speech and audiological
rehabilitation support from the clinic and the support from the family.
The motivation from the patient
and his family and their commitment towards the rehabilitation programme.
Contrary to general
behalf, the cochlear implant does not restore the recipient’s hearing to normal
levels. Further, the sound perceived through the implant will be different from
that perceived by the normal cochlea. The sounds have been described as being
electronic, similar to a computer generated speech. Hence, the need for the
rehabilitation programme focussing on developing the auditory skills in the new
mode. It needs to be emphasised that communication with a cochlear implant is
maximised in conjunction with lip reading rather than audition alone. |
| ||||||||